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If you have long-distance persistence and determination, and viable skills to accompany your pursuit, there are opportunities in game design It is my hope that as the game industry expands, even more opportunities will be created very soon Once you ve worked on a couple of game titles, it becomes easier to show some of your work However, getting a great design job is never really easy The competition is always fierce Let s face it, for many game lovers, what could be better Think about the pure numbers involved, too On any given development team these days, you might have 25 developers However, most of these development positions are reserved for programmers and artists This means that game productions typically have many more programmers and artists working on a title than they do designers So if you are competing for the few design slots available, the competition is going to be heavy, and it may drive your salary down Simply put, others may be willing to do the same job for much less money than you Working as a game designer can be a beautiful avocation for those who are up to the challenge What challenge It s always a challenge to build content at the crossroads of innovation in art and technology This endeavor is rarely simple or easy The salary range for game designers, like many other development positions, varies greatly Entry-level designers might make $25 30K, while much more experienced designers can earn around $60K If you are very well versed in 3-D tools, packages, and scripting, you are obviously adding value and flexibility to your role Superstar designers can obviously earn much more than this range would suggest, but very few developers fit that classification

What did I discover First, most backtest programs have preprogrammed strategies built into the software For example, you could quickly run tests on the moving average crossover strategy for any time period You can also run tests on many other popular strategies When my friend generated the test on the indicators, he didn t include stop losses, so the results were a bit skewed Although all of the indicators resulted in huge gains, the category Maximum Drawdown was rather interesting Maximum Drawdown refers to the point where you had your worst losses In the depths of a market crash, almost all of the indicators had rather large drawdowns My trading friend explained that because we didn t use stop losses, this was to be expected When most people look at the results of a backtest, they immediately look at the Net Profit category And if you saw the final results of our indicator backtest, you d be impressed But the pros might be more interested in Maximum Drawdown, because to them, large drawdowns are unacceptable There was another tidbit: every single indicator beat the buyand-hold strategy over the three-year period Not surprisingly, however, during the last year of the test, when the market went up almost 70 percent in a year, buy-and-hold did just as well as the indicators In addition to not using stop losses, it took some time to agree on the rules Moving Averages were simple: When the 20day crossed over the 50-day, we bought When the 20-day crossed below the 50-day, we sold It was also easy to create rules for MACD: When MACD crossed above the zero line, we bought When MACD crossed below the zero line, we sold But the rules for RSI, Stochastics, and Bollinger Bands were not as clear Just to experiment, we bought when RSI crossed below 30 and sold when it crossed above 70 For Stochastics, we used 20 and 80, although we were aware these were not designed to be actionable trades In case you were curious, Bollinger Bands had the best results, which was probably because the three-year period was so volatile and Bollinger Bands self-adapt in this type of environment.

Game developers and publishers have producers on staff In other forms of nongamerelated software development, these folks are called project managers, or software product managers The game industry uses the more entertainment-oriented term of producer Producers work to manage all aspects of a game production by tasking, tracking, coordinating, budgeting, and facilitating They are planners and project coordinators They also usually have a large background and exposure to games (for obvious reasons) Traditionally, producers come up out of the QA department They begin as assistant producers, move on to associate producers, and then on to full producers An assistant